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      Anders Osborne in Boca Raton

      • Anders Osborne Photo #1
      1 of 1
      October 4, 2019

      Friday   9:00 PM

      303 Southeast Mizner Boulevard
      Boca Raton, Florida 33432

      Anders Osborne

      with Albert Castiglia Solo Acoustic
      At one point on his 2019 album, Buddha and The Blues, Anders Osborne sings, Oh, its a miracle we still care. Oh, its so wonderful were still here. Were still here!Hes not going anywhere either Osbornes six-string virtuosity, inventive musicality, and poetic songcraft underpin an ever-expanding three-decade catalog celebrated by fans and critics alike. As a sought-after studio talent, his writing resounds through Keb Mos GRAMMY Award-winning Slow Down, Tim McGraws number one Watch The Wind Blow By, and covers by Brad Paisley, Jonny Lang, Edwin McCain, Aaron Neville, and more. His output live and in the studio spans working with everyone from Eric Church, Toots and the Maytals, and John Scofield to The Meters, North Mississippi Allstars, and Galactic. His extensive touring history encompasses gigs, collaborations, and performances alongside everyone from Derek Trucks, Warren Haynes, and Stanton Moore to The Grateful Deads Phil Lesh and Jackie Greene. Not to mention, he lights up the screen on an episode of the HBO hit Treme. Plus, he has garnered acclaim from USA Today, Guitar Player, Relix, Offbeat, and more.He also gives back whenever possible via the Send Me A Friend foundation and through writing music for New Orleans Childrens Museum. A pair of 2016 albumsSpacedust & Ocean Views and Flowerboxmaintained his prolific output at a record pace. Now, 2019s Buddha and the Blues references the full scope of the creative and personal duality at the heart of everything this maverick does.I came up with the title early on, so I knew what the vibe of the record should be, he explains. Buddha and the Blues means the duality of our existence.As Osborne crafted the music, he pondered an existential struggle we all face. On the one hand, humans do good, but its under the expectation of personal gratification. On the other hand, they desire success and wealth, but they attempt to maintain an appearance of humility. This constant push-and-pull led him to write about not getting lost in a sunken path or idolizing an intangible future, but instead to be present in this moment and to be fully alive.These thoughts filtered into the words, especially. He goes on, The lyrics are supposed to be true, conversational, and uplifting with clean, classic, and thumpin sounds. Thats what I set out to accomplish.In order to do so, he joined forces with a world-class ensemble of Waddy Wachtel [guitar], Bob Glaub [bass], Benmont Tench [keys], Windy Wagner-Cromwell [background vocals], and Chad Cromwell [guitar]. Chad also assumed the role of producer. Like a big brother to Osborne, the producer and artist leveraged years of friendship, trust, and creative kinship to make a record [they] wanted to do for many years.I didnt have to push, admits Chad. It was his idea to let me drive the bus, so to speak. That allowed him to focus on songs and his performances. The freer he is to write, play, and sing; the better the record. He really trusted me. To trust someone to help you make a record is an act of faith. Its a big responsibility to make sure that happens. Thats a mighty thing Anders did, and I appreciate his trust. All signs pointed to this team, this time, and this music. The setting proved to be as instrumental as the players did. From the beginning, Osborne envisioned making the album in California, but not the big screen vision of Hollywood. It made perfect sense to zero in on a location just far enough from the city. Ojai felt perfect to siphon the soul of SoCal into wistful sun-soaked soundscapes. You can practically hear Ojai in the aural fabric of the album. The Southern California vibe was essential to the record, Osborne continues. Early on, Chad and I agreed it had to be tracked out there. Ive been wanting to do this for a while, and we needed to go out there. You can hear the influence. Its played with a gentle breeze and tight precision. Cutting it in Ojai was crucial to achieving the right atmosphere. I usually write with a location in mind, so it helps me stay focused and guides me to craft a body of tunes rather than individual songs.That body of tunes kicks off with the dusty dynamics of Alone. In the pocket of a steady beat, the twang of clean guitar offsets his gruff delivery as the track unfurls towards a discordant guitar lead highlighted by organ. Alone was a meditative prose I wrote in my backyard, he says. It had a circular vibe to it, When I added the music, I wanted it to match the poem: a small word with an epic impression.Elsewhere, Escape captures the tension prior to his California trip with its off-kilter groove and roots-y shuffle. A wail of slide guitar cuts through sunny strumming as an idyllic narrative unfolds on Traveling with Friends.He adds, I wrote Traveling with Friends on St. Thomas, Virgin Islands while on vacation with my family. We had an amazing spot on top of a mountain overlooking a big part of the island, and I felt inspired and really grateful. I had a moment of relief from all of my searching and dissonance. I saw us all for what we arebeautiful, fragile, and in this tumultuous space trip all together.He crafted the perfect soundtrack to the trip with Buddha and The Blues, illuminating his own duality like never before. The message ultimately becomes clear in the music.Learn to choose, he leaves off. Be happy or continue suffering.

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